The estimates are in for Kanye, Nicki, Lloyd Banks and Jay-Z…
Next weeks sales projections are in, and Kanye West is on track to top the charts once again. According to the industry insiders at hitsdailydouble.com, Mr. West’s critically-acclaimed new album, My Beautiful Dark Twisted Fantasy, is estimated to sell around 525,000 to 575,000 copies in its first week on shelves, based off the one-day sales figures. If true, these numbers will surpass Yeezy’s last disc, 808s and Heartbreak—which sold about 450,100 .
Nicki Minaj and Lloyd Banks are also set to impact The Billboard Top 200 next Wednesday (December 1). The Young Money Princess’s debut Pink Friday is projected to sell in the area of 375,000 to 425,000 while the G-Unit soldier’s The Hunger for More 2 is believed to move about 40,000 to 50,000 units.
Jay-Z’s The Hits Collection, Vol. 1 will also make it’s way onto to the charts with an estimated 25,000 to 30,000 in sales.
Stay tuned to XXLMag.com on Wednesday morning for the official Nielsen SoundScan numbers.
—Elan Mancini
Pink Friday,the debut album from Young Money emcee Nicki Minaj, is the culmination of an intense promotion campaign and tremendous hype. Labeling herself as “The best b***h doing it”, the Queens native's album was highly anticipated, unique detour in a genre which has its share of regular monotony. Nicki’s style is unique and creative – this we know after hearing her on numerous tracks and singles. However, can all the hype sustain Pink Friday?
Kanye West takes the cover the December/January 2011 issue of Complex magazine. The publication also spoke with the contributors for Yeezy’s album focusing on their roles in their Project: Runaway feature. Below is an excerpt from Pete Rock:
“I know one of Kanye’s bodyguards, and he told me that Kanye was looking for me. I just grabbed this bag of discs—these discs hold at least 50 beats apiece—and went to Hawaii. [Laughs.] That was my first time ever going to Hawaii, so I was blown back by the weather and the beach. It’s a beautiful environment to make music in. I immediately said to myself, ‘This is why he’s here!’ No one bothers you and you’re free as a bird; an important part of being creative is being able to be free in a good environment where you can make music and there’s no interruptions or disturbance or anything. When I got there, Kanye was in the chair in the studio getting his hair cut. He played the ‘Power’ song from before he even put the lyrics on it and he was spittin’ the lyrics to me. I’m real critical of emcees, but when I hear Kanye spit, it opens me up like a flower, man. I used to hear him spit my name in his own records before he even got with me, and I used to say to myself, ‘Damn, he says my name in more than two or three records! Maybe he’s trying to let me know he wants to work with me.’ The studio kind of reminded me of back in the days when I used to work on three or four projects at once, doing it all in the studio. That’s what he was doing—running back and forth from room to room to room to room. He had Kid Cudi upstairs, he was working on his album downstairs, then doing a mix on another record, and it straight reminded me of what I used to do back in the ’90s. He played ‘Runaway’—and as soon as I heard the drums come in, I just started laughing. He used my drums from Mecca and the Soul Brother! I used these drums in an interlude before this record called ‘The Basement,’ and those drums come on before the song. I never heard anybody make a song the way he made it out of those drums. I thought that was genius.”
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